The Art of Matching Audio Components for the BEST Results



Whether you are starting your journey in audio or are a seasoned veteran, the objective is the same, to create a synergy within our stereo systems that will allow our ears to reach audio nirvana.


Eventually, we all reach a ceiling point. Either financially or sheer complacency tells our brains that our system sounds "good enough."


The topic of discussion is the art of component matching and whether it's something you should be aware of and actively practicing.


Let's talk about the word synergy because I use it quite a bit in this article.


Synergy is defined as the interaction or cooperation of two or more organizations, substances, or other agents to produce a combined effect more significant than the sum of their separate effects. The definition says it all. That is essentially the outcome you want from matching different components together to reach a synergy within your system that provides you with a pleasurable experience for your ears.



Since the world of audio is subjective, everyone likes their sound signature a particular way. For example, I used to like my system equalized with a strong v-curve. After auditioning higher-end gear, I found that I now enjoy a more balanced experience. It's growth; it happens to everyone, and the more equipment you listen to, the easier it will be for you to define the particular sound signature your ears enjoy the most.


Now, the value of synergy is highly dependent on the quality of your gear. Higher-end offerings don't usually have a generic sound, as would an inexpensive sound bar or entry-level setup. Often, the designer voices higher-end gear to provide a distinct sound signature that has synergy with other components from the same manufacturer.


I have discovered that awesome gear has a constant "house sound" regardless of which component you listen to from the same manufacturer. These companies want their products to work together to develop a consistent sound to market to the consumer. Once you are hooked, they have you.


When you find a set of components, like a pre-amplifier and amplifier, for example, that you marry with the right speakers, source, DAC, cables, room treatments, etc., you then have that rare chance of reaching the proper synergy within your system.


Matching your loudspeakers with your amplifier is the best first step to component matching since it involves power and your opinion of the sound the match produces. Speakers are not resistors; therefore, they won't present an accurate load if rated at 8, 6, or 4 ohms. There are too many variables within the speaker. They will constantly change resistance with the frequency, not providing a consistent ohm's measurement at all frequencies. Be that as it may, you still want to make sure your amplifier can handle the approximate load you are demanding from it. For example, if your speakers are rated at 4 ohms, it's the best practice to buy an amplifier that can easily handle the load and is rated for 4-ohm speakers. Can an amplifier not rated for 4 ohms play 4-ohm speakers? Yes, in theory. You shouldn't have any issues; however, once you reach higher volumes, you run the chance of your amp going into limp mode or blowing altogether.


So, if you go down that road, don't blame me if you break your stuff.


Okay, now that you better understand amplifier and speaker matching, let's jump back into synergy.


Some people, especially in forums, might try to convince you to manipulate the sound you have to compensate for the deficiencies within your system by adding a component with a particular sound signature to compensate. Don't do this. This process could leave you with a ho-hum, mediocre setup at best. Find a manufacturer whose sound signature you like, and then add components to enhance the sound signature to reach your system synergy. You could accomplish this much easier by using higher-end components with a defined signature. Detailed reviews online are sure to mention the sound signature of particular products helping narrow down the search.


Where a problem could arise is if you find components from a company you like. Let's say, for argument's sake, Company X makes a killer amp and preamp, but that's it. Then you must go out and source the rest of the products. That's why I do like companies that have a full range of offerings. However, the hunt is part of the fun. Sourcing each component and hearing how it affects the sound of your system is why a lot of people enjoy component matching. Frequently the combinations of specific components could surprise you by providing a synergy that exceeds your expectations.



This topic reminds me of the '80s, where you could get a full Technics, Kenwood, or Yamaha rack system. All components came from the same manufacturer and typically looked pretty good stacked in that media rack with the glass door, and you know what I'm talking about. At that point, the only variable was the speakers. Finding the right speakers in the '80s wasn't difficult, though, since most floor standers ran full range. It was a more accessible experience than our situation today, where you have to go to the HiFi buffet and trial and error your way into synergy.


This subject could get much more complex; however, I did not want to get extremely technical or math-heavy since I am currently matching myself and going through the same process. Matching your system is an entirely personal journey you will have to experience for yourself. There isn't a golden blueprint for this because my ears are different from yours, and what I enjoy might be the sound of nails on a chalkboard for you. There aren't right or wrong ways to match; as I mentioned, it's a process of trial and error until you find your synergy and your perfect preference in sound.


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